A collaboration between textile artist Myrto Karanika and sound artist Jeremy Keenan, Peacock explores relations between space and bodily expression through the novel use of technology and traditional art practices such as printmaking, stitching and embroidery. The work creates a sense of continuity that joins ongoing developments in the field of interactive artistic production with the long history of rug making.
Reflecting the textile references Myrto grew up with, Peacock’s pattern is a contemporary take on motifs one frequently comes across in traditional post-Byzantine textile craft. It interprets themes underpinning Greek folk art through the use of bright, bold colours and the depiction of floral and faunal elements that bear a symbolic cultural significance.
The work’s highly multisensory nature asks to be explored through the eyes, the hands, the limbs and the whole of the body; the rug has a transitional quality that creates space within space and signifies a plateau for different types of engagement and qualitative attention.
As different relations between people’s activities form and dissolve over time, they are sonically communicated through an evolving soundscape, the composition of which relies on the technology underlying the tactile sensitivity of the rug. The flow of data generated by people’s physical interaction with Peacock is passed to custom sound software created by Jeremy. As the rug is being walked on, touched, stroked, and pressed, the sound software encodes these gestures on different spatial and temporal scales, continuously generating sonic output that ranges from short, staccato bursts to expansive, harmonic sound fields.
Presented at the Kaunas Biennial, Lithuania, 2015 in 4 channel sound.